WHAT’S ON

Never Miss the Honey: A Solo Exhibition by Julie May

2025

“The next morning a frightful spectacle awaited me. When I reached the back of the wash-house, I found a glass overturned, the ladybugs gone and the bat, though still half-alive, bristling with frenzied ants, its tortured little face exposing tiny teeth like an old woman’s.”

Through changes in observation and perspective, even the smallest creature can reveal unexpected strength. In his 1942 autobiography, “The Secret Life of Salvador Dali”, surrealist painter Salvador Dalí hinted at how the blend of attraction and repulsion from insects has inspired him. Similarly, Julie May draws inspiration from her own fascination with ants, contemplating the dichotomy of fear and desire that coexists in life. Here, ants connect with alternative routes to pleasure, alongside the potential for destruction. She explores the intimate qualities of etching, weaving together the idea that fear and desire are at the root of each other. The more desires one upholds, the greater the fear that those desires will remain unfulfilled. “Never Miss the Honey” communicates a quiet obsession, depicting the power dynamics Julie May observed in ants, as well as in people.

Exhibition Details
Date|2025.05.09 (Fri)–2025.05.22 (Thur)
Opening Hours|1:00–7:00 p.m.
Venue|H201, 2/F, Block B, PMQ, 35 Aberdeen Street, Central
Free admission

Artist Demonstration
Date|2025.05.17 (Sat)
Time|3:00-4:00p.m.
Venue|Print Art Contemporary Print Lab(L8-06, 8/F, JCCAC, 30 Pak Tin St., Shek Kip Mei)
Register Now🔗click here


Artist Bio
Julie May (b. 2000) is a printmaker, painter and performance artist based in Hong Kong. A graduate of the Royal Melbourne Institute of Technology, her practice subverts social expectations and cultural conventions around identity and artistic production. Often using raw materials in her work, she seeks to articulate the enduring relationships within body politics.

May draws inspiration from her classical view of femininity, including womanhood and sexuality, to cultivate the complexity of the “self”. Through the mark-making nature of print, she incorporates “otherness” as an artistic strategy to reinforce undermined notions such as legacy and courage. May’s experimental approach encourages a reconsideration of ourselves in this peculiar life.